Archive of ‘Personal’ category

Three Levels of Dress: Kimono Blouse Two Ways

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As I’ve mentioned here before, I have some issues with Level Two in my wardrobe: I don’t really have any. Basically, I have formal dresses, and then jeans and sweatshirts.

There are several reasons for this, but the main one is that at the moment, dressing up is not required for my job. I am rarely in a situation where Level Two is required. I don’t usually want to allocate my not-so-sizable resources to clothes I won’t wear as often.

I’ve realized that this problem can be solved by just adding certain pieces to my wardrobe than can be dressed up or down. At the moment, getting a cute little FG pantsuit isn’t the most practical option for me. But adding things like sweaters and blouses that can be worn with many kinds of bottoms is a different matter.

I actually didn’t really own any blouses. I picked up my first one today. It’s a little out of my comfort zone, but I fell in love with it because it looks like Dark Autumns’s candlelight white to me, and I’ve been into floral prints lately. While I often have trouble with unstructured pieces, I decided that the cropped and boxy fit made it okay for Flamboyant Gamine. I came up with two outfits based around this piece, one for Level One and one for Level Two. I’ll walk you through these two outfits and my thought process.

The star of this post is, of course, this Floral Print Kimono Top from Zara. For a crop top like this, high-waisted skinny jeans, which are flattering on me, probably because I’m long-waisted and it balances me out, are an obvious choice. I went with a waxed version in merlot, because the floral print has some dark red in it and it’s more interesting than basic black. I also picked up the merlot in a studded wrap bracelet for a Fitbit Flex. I think this is a really cool piece, even though I don’t have a Fitbit. Part of why I don’t have one is that I don’t like accessories that look more like tech than accessories, so this is a fun, casual piece of jewelry to disguise it, if you do have one. I did select black for the shoes because I wanted to include the Wild Diva shoes from Amazon. These are fake Valentino Rockstuds, and they come in a huge range of styles, colors, and finishes, and they’re insanely cheap. I have them in the leopard-print, sueded, ballet-slipper version, which I also considered for this outfit, and I might do that in real life, because I’m going to be more limited in terms of my shoe collection, but I felt there wasn’t a true connection to the rest. Instead, I went with shiny black, which calls back to the black outline of the print on the top. I just found some fun ear jackets for the earrings.

I think that for some people, this skirt wouldn’t really seem like Level Two. But since my legs are short, it would look as short on me, and I think the rocker edge it has brings it where I need my Level Two to go. While I don’t think the Fitbit cuff would be inappropriate for Level Two–I’m sure people wear their Fitbits to work; otherwise, what’s the point?–I wanted to glam it up and a little more, and added a cuff that I liked so much, I bought it for myself–the danger of doing these posts, I guess! The black stones, again, pick up the black in the shirt’s print. With the
shoes, I switched to a heel, which I think goes better with the skirt, but if you can’t wear high heels, maybe some kind of bootie would work. The sueded version is a little more subdued, especially on Dark Autumn, although this exact one is currently sold out. Wild Diva is sold by several Amazon sellers, so you may find it somewhere else if you look for it. They do have a burgundy sueded version right now, which would also be a good option, although I generally don’t like to match my bottoms to my shoes. The earrings have spikes, but they are even more sparkly than the ones in the first outfit.

What I like about these two outfits is, apart from the jeans, since in my personal definition of the Three Levels, Level One is the only one that gets jeans, these pieces all work for both levels; it’s just all in how you style it. The accessories are basically interchangeable, as are the shoes; I could wear the heels with the jeans instead to add a little more to my first outfit, or I could exchange the blouse for a cropped t-shirt to bring the second outfit down a level. If you have a limited budget like I do, making sure your pieces are versatile is key. I’m planning on releasing my Three Levels of Dress workbook early next year, but until then, I hope to do more posts like this to give you an idea of how to work with them.

What something you’ve been lately that could work for multiples levels and situations?

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Do We Sell Ourselves Short?

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As I’ve written about before, I have a lot of success finding the design elements I prefer in the athletic wear department: wilder patterns, more interesting details, etc.

I went to the Nike store the other day and picked up two things, One is a windbreaker that I won’t be able to wear for a few months, but that definitely fills the raincoat-sized hole in my wardrobe.

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Nike Sportswear Bonded Women’s Parka

The color is a great fit for DA, falling between the medium and dark olive green on the 7 strip on the classic fan, for people keeping score at home. And the asymmetry and angles make it a good fit for FG.

I went to the Nike store specifically to pick up that parka, but I couldn’t help also getting something else, a sweatshirt. I loved the pattern, and it is really soft. The length and boxiness make it a great piece for winter layering.

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Nike Sportswear Modern Women’s Crew

But of course, there is one glaring problem with it. It’s not a DA colorway at all. It definitely looks like some summer grays. I bought it cognizant of that fact. These colors don’t really do anything bad for my skin; they just don’t really do anything.

But we all know that color is really, really important, so I began to wonder, are we selling ourselves short by making exceptions for things that are okay in other ways, but just not our season? How bad is going outside of what you know is your best?

Part of the reason why this was on my mind is because lately, I’ve been watching a lot of the new Dressing Your Truth videos on Carol Tuttle’s Facebook page. DYT wasn’t a system I stuck with, but their new materials and palettes have intrigued me. They recently did a video series showing people in each type dressed in the wrong type, and the mention of how gray is strictly a Type 2 color in the Type 2 video got me thinking. DA would get a warm kind of gray, but gray is definitely a color that I tend to feel comfortable cheating with, even if it’s not DA gray exactly.

But this has made me wonder if I’m selling myself short. Black and gray aren’t terrible on me the way spring colors are, so I feel okay with cheating, or even dipping into the darker summer colors. But I know that they simply aren’t as good on me as a DA almost-black or one of my other neutrals. After spending several years in the color and style world, shouldn’t I be concentrating on having a wardrobe that only has Bests, no Just Okays? I should be in the mindset where every day, it is worth getting out of bed and putting on an outfit and doing my hair and makeup and accessorizing, and all of these things will be in harmony with me and present my best self. I haven’t gotten to that point yet. It’s not something I do even most days.

So while I will definitely wear this sweatshirt to death this fall and winter, because I still love it, I’m going to try to concentrate more on avoiding things that are the wrong color, and making an effort to find enough accessories so that my wardrobe is more complete. Going back to Dressing Your Truth, they suggest that people who are going through their course try doing full head-to-toe outfits in their type for 30 days, and I think I should probably try to do the same with my own amalgamation of style types and seasons. I identify with these types in theory, but I don’t always put forth the effort, in my closet or on my body, that I should–and that I deserve.

I did find on the Nike site that this particular sweatshirt also comes in that DA olive color, so I’ve ordered that too to put away for next year, when the one I have this season is worn out and I hopefully will have several months of dressing to my fullest under my belt.

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Nike Sportwear Women’s Crew

Do you always dress in full head-to-toe outfits appropriate for your lines and your season? Or are you more like me, where you want to do that, but you fall short?

Dark Autumn Blonde: Favorite Everyday Lipsticks for Pale DAs

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Out of everything, being able to wear lipstick is the most important thing I’ve gained from color analysis. As a pale blonde, magazine article after magazine article pointed me towards light, clear colors. I would buy a lipstick, wear it once, and be greeted with comments like, “Oh, you’re wearing LIPSTICK.” The only lipsticks I can recall wearing with any regularity are Belle de Jour by NARS (picked up because Catherine Deneuve in that movie was my high school makeup inspiration) and Julianne’s Nude by L’oreal. On me, both of these take MLBB to WBWL–Why Bother Wearing Lipstick.

So when I realized that Dark Autumn was the season that suited me best, I finally had some direction in front of lipstick displays in stores. I first started with recommendations from Cate Linden’s post on the subject, but after over a year of living in DA, I have my own set of favorites.

My preferred texture for lipstick is cream–opaque but not matte, a little shiny but not glossy. I find this to be a compromise between DA’s matte recommendation and FG’s glossy recommendation. Also, these lipsticks tend to be the most moisturizing and comfortable, without being sticky like gloss. But during the day, I’ll also wear a lot of sheer/balm formulas, and most of the lipsticks in this post fall into this category.

Sometimes, it can seem like DA lipsticks are all a variation on reddish brown. While that’s definitely something you should have in your rotation, DAs can also wear coral or red violet or our version of pink. Here are the lipsticks I personally usually have on my person and reach for on a regular basis:

IMG_4756

Albeit Violette. Lately I’ve been into exploring the possibilities of violet for Dark Autumn lipsticks. This is a nice sheer version for testing the look out. Very comfortable and pretty. (September 6th, 2016: I’m wearing it today and I have no idea why I thought it was sheer! It’s definitely opaque.)

MAC Brick O La. It may seem shocking for someone who has the amount of makeup that I do, but this is the first MAC lipstick I’ve ever owned, and I just picked it up last week. I had a very goopy MAC lip gloss once, and the sugar-cookie scent/taste was overwhelming to the point that I didn’t want to bother. Luckily, the scent isn’t as strong with the lipsticks. Anyway, the idea of owning this particular lipstick won me over. It’s DA’s pinky nude.

Lipstick Queen Saint Rust. I’ve blogged about this before, but this is a great brownish-red in a sheer formula. The color also comes in a matte, opaque formula, called Sinner, but unfortunately I find that formula drying and horrible. You can see how much I’ve carried this one around with me–the tube is pretty banged up.

Clinique Mega Melon. A nice pinky coral option. This is one I’ll wear a lot when the weather gets warmer.

So these are my favorite lipsticks for day. Do you change up your lipstick from day to night? What are your favorites?

Fantastical Beauty: Woodland Puck

Last week, I wrote about how I probably need to add a Valkyrie lean to my Nymph/Puck mix. I was very fortunate today, because someone else commissioned a guide for Nymph Pucks. I purchased it, and I was happy to see that Puck fits perfectly and I don’t need a lean at all.

Characteristics of Woodland Puck, the Nymph-based Puck, include:

-a more boyish Nymph
-heavy use of black in color scheme
-punk rock vibes
-associations of: half-tamed, mischievous, bon vivant, odd knits, sheers, floral crowns, edgy, mixed media.

When you request a guide, if you’re not sure quite what subtype you need, you can tell Kati the things that are missing for you from the base and she can tell you where you’d fall, or whether that is possible with that base type at all. Boyish, black/dark color scheme, and punk rock vibes are exactly what I would have told her that I needed out of a Nymph subtype. (And what is spooky is that years ago, one of my style friends told me I was a “defiant woodland sprite”!)

So I’m very glad to see that there is such a perfect place for me in this system. If you can’t afford a full analysis, and there is a type that you think would work for you with some caveats, I would definitely suggest discussing what you need from a subtype with Kati and commissioning a guide. With a subtype you can go from this in the base type…

nymph_green_skirt
(Source)

…to this in a subtype:

puck_leather
(Source)

Have you ordered a subtype guide? What are you considering?

Fantastical Beauty: What I’ve Learned, Part 2

Today I found myself downtown with some time to kill, so I popped into Zara to see if I could find some hot-weather clothes. One thing I’ve noticed is that if my current style typing (Zyla, etc.) isn’t working for me, I find myself succumbing to shopping paralysis, and just nothing in the store feels right. After declaring myself Nymph and Puck in Fantastical Beauty, I found that I didn’t even know what to look for. I tried to make a secret pinboard for Nymph-Puck-Gamine Linear, but I just pinned a bunch of stuff from Kati’s pinboards for these types, and I wasn’t sure if the things I found on my own were “correct.”

After this experience at Zara, once I got to a computer, I took a look at the guides I had. I then looked at my personal style pinboard, and started adding and subtracting things. I thought about what the images meant together as a whole. I think they represent “me” and my aesthetic really well, and it reminded me of my personal style statement/archetypr, which I developed while creating my workbook.

My style statement is “Grown-up Punk,” which means that I retain both sophistication and edge at the same time, with a little bit of boyishness/youthfulness thrown in. One thing I noticed is that I have a lot of Alexander McQueen on the board.

This makes sense, because it’s a label with sophisticated designs, with motifs like skulls and moto added to give it some edge. For me, the “punk” part is easy. It is adding the “grown up,” the sophistication, that is hard.

Taken as a whole, my board to me means Puck Nymph Leaning Valkyrie. Maybe I can also pull from Nyx and Raven Rider at times, but this what feels essential. Nymph covers the “grown up,” Valkyrie the “edge,” and Puck partially the “edge” and wholly the “boyishness/youthfulness.” In addition, the Valkyrie color scheme of dark neutrals with “wildflower” pops of color works better for me than Nymph’s variations on browns and greens or what Puck’s color scheme seems to be, which is dark gray with pastel pink. But Nymph feels like the base to me and not Valkyrie, because the sophistication is what needs to remain front and center in my mind. The “punk” can always be added with accessories, but the main shape always has to remain firmly in Gamine Linear Nymph territory.

Fantastical Beauty: What I’ve Learned

Fantastical Beauty is a relatively new system that I’ve been exploring as a way to bring an expression of my inner self into my Kibbe type. I’ve written about it here before, and in my latest update, I was settled in a type called Fae and waiting for more information on the darker Nixie subtype. At first, I felt like Fae was really helping me, and leading me toward better choices in things like jewelry. But then I realized that the things I thought Fae was adding to my style were things that were already in Flamboyant Gamine and I just hadn’t been honoring.

fae1
(Source)

So I went back to the drawing board and made some collages and morphs using Snapchat (a very fun way to waste time, by the way). Many suggested Valkyrie for me, so I got the guide, and there a few things from Valkyrie I like, overall, it didn’t feel right. Fae is whimsical, Valkyrie is powerful, and neither of these attributes feel like my defining characteristic.

valkf
(Source)
One of the things I realized I was doing was that I was looking for the type most compatible with Flamboyant Gamine, rather than me. I already have a set of FG recs that work; I don’t need another style type that just repeats them. It needs to add something different that will help me express myself within the framework of the FG recommendations.

Nymph is the type I didn’t want to be when I first found out about the system. It seemed kind of dull and stuffy for whatever reason.

nymph
(Source)

But in Kati’s blog post on bathing suits, the Nymph suit is the only one I would even consider. So a seed was planted in my head.

After thinking about the little personality description and scenarios in the guides I have, I couldn’t see myself as anything of the “characters” Kati describes. Whatever worked stylistically, the imagery that the styles are meant to evoke didn’t fit me at all. I thought about how I would describe myself above all and what drives me in life. I think the first thing people that know me would describe me as is “smart,” and what I am driven to do is collect and disseminate knowledge. This is something the Flamboyant Gamine doesn’t exactly express, and I saw that this is what Nymph could add to my self-expression.

I finally bought the guide, and here I could see myself in the personality and characters she describes. There are also moments where she describes what works for Nymphs where I got the sneaking suspicion she had sneaked into my closet at night and spied on what I owned.

Kati also has a subtype called Puck that can be found in Nymph, which is more boyish and has funkier makeup. It adds a little edge that Nymph lacks, and I feel that together with FG, I can create something that expresses all the facets myself that I want to express.

puck
(Source)

So if you are going backwards from other systems when trying to find your Fantastical Beauty type, I would recommend trying a different approach. Yes, you should understand your s-curve and facial features, but I think you also should have a look at what you actually want to express with your style.

What I Use and Why

From time to time, I get comments asking my thoughts on a system that I don’t discuss on this blog. The reason why I don’t talk about all the systems out there is because I’m most interested in discussing and understanding the systems that I like. If a system doesn’t make sense for me or seem like it would add value to my style life, I simply don’t use it.

Now, I think style systems are a highly personal thing. What works for you depends on how your brain works. Some people just can never wrap their head around, say, Kibbe, and it becomes a point of difficulty for them, instead of something that helps them. So what works for me may not be what works for you, and vice versa. This is not intended as an indictment or an endorsement.

So here are my lists:

WHAT I USE:

1. Kibbe’s Metamorphosis
Hands down, my absolute favorite system. To me, it’s the most complete, and the one that, believe it or not, is easiest to DIY. It is a tool for self-acceptance as well as a style system. I do think it helps me, though, that there is a type that is so perfectly in line with my own tastes and personality. I don’t need to think about how to express my inner self through the limitations of my outer self, since Flamboyant Gamine expresses both with no modifications.

2. Sci\ART
Despite my recent posts, which are really more about how the system is currently practiced by second- and third-generation practitioners, rather than the system itself, I still think Sci\ART is the best option among the premade palettes. Each palette can express a wide range of styles and moods, and I do find that when you hit upon the right season, it works. I know that I can take out my Dark Autumn palette, and none of the colors that harmonize with it will do something really weird to my appearance.

3. Fantastical Beauty
I’ve found this system helpful for filling in a few gaps that the Flamboyant Gamine doesn’t cover in enough detail for me, like jewelry. And I can’t wait for the Nixie guide to come out. I think a lot of people also find this freeing because it’s highly flexible and personalizable, and focuses much less than on your outer appearance and shape than other systems.

WHAT I DON’T USE, BUT AM INTERESTED IN:

1. David Zyla
Zyla’s system is basically impossible to DIY. Even though he has a book where he tries to explain how to do it, it’s really about his singular vision. I found Zyla around the same time that I found Kibbe, and I’ve seen myself in archetypes in every season except Summer. I’m actually considering going to see him when it’s convenient and when I can afford it, mainly because I love his eye for color and I find the tight, specialized approach to color to be something that is highly appealing to me. I love the idea of having certain colors that support you for particular needs in your life.

2. Suzanne Caygill
Again, a Caygill palette and typing is something that has to be done in person. And her book is just too expensive to purchase.

3. Beauty Valued
I love Kathy’s work, and a Beauty Valued palette is right up there with Zyla in “services I would pay for.” (The magical powers of your Zyla colors are what pushes Zyla to the top of my wishlist.)

WHAT DOESN’T WORK FOR ME:

1. John Kitchener
I find the approach of splitting people up into parts to run counter to the goal of a cohesive style. What are you supposed to do with, say, 5% Natural, and how would that blend with the rest of you? Also the color palettes he gives are so extensive. Kitchener’s approach just gives you too much, in my opinion. Some people like having absolutely all the things they could ever do laid out for them, but I like having a general framework in my head and then running with it.

2. Dressing Your Truth
I really don’t see myself fully in any of the 4 Types. I used to think 3, but now I think it’d be too heavy. I think it’s a good system for women who are style lost and finding their way, and sometimes you do see really huge improvements, but overall, none of the types really connect with me, and I can’t imagine wearing any of them, at least not how they’re presented in their online store.

Which systems do you absolutely love, and which ones leave you cold?

Style Resolutions for 2016

Happy New Year
(Source)

With the end of 2015 comes resolutions for 2016. This has been a year where I’ve nailed down my season as best as I can without getting draped and further developed what “Flamboyant Gamine” means to me. I’ve decided upon my Zyla archetype, and have used it to refine my season and my Kibbe. Now that the work of deciding what I am is done, for now, my task for 2016 will be wardrobe rebuilding. I created a roadmap for myself while writing the workbook, but I definitely still have a long way to go.

What I’ll be concentrating on in the coming year is:

1. Accessorizing!
I tend to err on the side of practicality when it comes to clothing. I have a limited budget, so when I do have money to spend, I’m far less likely to purchase accessories than I am something that I need in order to stay warm or just clothed in general. You can walk around without jewelry just fine, but walking around naked in winter would certainly garner some stares (and an arrest). Jewelry is my last priority.

I also have trouble finding what works for me. I have a jewelry board, but it’s mostly out of my price range and some of may be too heavy for me. I have to be careful to stay in FG and not go too far into FN. And the kind of jewelry I like can’t be found by the basketload at a place like Charming Charlie’s.

Despite the fact that I don’t remember the last time I wore jewelry, I know that it’s an important element for creating a head-to-toe look for any Kibbe type. I need to take some cash and do some damage at H&M or Forever 21 to have something to wear while I work to supplement the cheap stuff with nicer pieces. I will probably seek out necklaces first, since they won’t bother me when trying to type at work or interfere with gloves and coat sleeves like bracelets or rings would. I also have sensitivity issues that make cheap earrings something I can’t do.

2. Building up my One-Star wardrobe.
One of the central ideas of the workbook is “The Three Levels of Dress,” so roughly casual/business/formal. I call the second level “one star,” and it’s the one that is almost completely lacking from my wardrobe. My job doesn’t have a dress code, and if given the choice, I’ll go with what’s more comfortable. But the archetype I created for myself is “Grown Up Punk,” and I think that a more polished, “higher level” daily look goes along with that. Occasions that absolutely require one-star dress come up rarely–the only one I can think of is when I’m visiting my dad and he wants to go to a restaurant that doesn’t allow jeans–but I think that if I really want to fulfill the “grown-up” part of my archetype, it’s something I need to work on.

3. Getting fully dressed.
This goes hand-in-hand with one of my personal resolutions, which is to get to bed and wake up earlier. It’s all I can do most mornings to make it out the door vaguely on time. A head-to-toe look, however, is key. I need to do more in the morning than just run a brush through my hair and slap on some moisturizer and lip balm. So if I could style my hair and put on some minimal makeup, it’d go a long way toward making my look more polished overall.

What are your style resolutions for 2016?

What Do We Get Out of Color and Style Analysis?: Color

The other day, a friend of mine commented that it was the second time in our eight-year friendship that she had seen me wear lipstick. It’s true that I never used to wear lipstick, or if I did, the shade was so nude you wouldn’t even notice it. I would buy the pinks and reds generally recommended for fair-skinned blondes, but I would never wear them out of the house. When I did, I would get comments like, “Oh, you’re wearing LIPSTICK.” I didn’t understand how to choose lipstick that I would actually wear out of the house and feel comfortable in.

Same with colors in clothes in general. Most of my wardrobe was–and still is, since replacing an entire wardrobe takes time and money–black and gray. When it came to adding color to my wardrobe, I didn’t even know where to begin. How could I be sure that something would flatter me?

There were a lot of missteps along the way, and for a good reason. Most of what I’ve heard all my life is in line with the advice for Light Summer and Light Spring: turquoise, pinks, lighter colors. Nothing too dark. When I started looking at color analysis, I assumed that this was my fate. I resigned myself to bright and light spring colors.

light_spring_colors
(Source)

But once I actually had a Light Spring fan in my hands, it was clear that it was bad. Really bad. It was a long process, but I found myself staring at Dark Autumn.

It didn’t seem to make much logical sense. How could my leading characteristic be darkness when I was so light to look at? But the colors worked, even notoriously difficult colors like yellow. Putting together Dark Autumn colors is easy and feels right. Dark Autumn lipsticks, even some that look very dark in the tube, look right on my face. I’ve gone from never wearing lipstick to having it often be the only makeup I’ll put on.

dark_autumn_dresses
(Source)

The colors in the Dark Autumn palette are so unexpected for my natural coloring that, although they are colors that I am drawn to and appeal to me, if I hadn’t come to Dark Autumn through color analysis, I never would have reached for them myself. It would never have occurred to me that this is the color family that suits me. You’ll never find a picture of someone with my coloring as a celebrity example of a Dark Autumn palette–although blonde hair with a lot of depth, eyes that are a deep mix of green/blue/gray with spots of yellow, and pale skin are fairly common among draped Dark Autumns in 12-season analysts’ portfolios.

What color analysis has enabled me to do is understand how to use color. I have a fairly strong background in art, so I know how to use color more generally, but I was at a loss at how to use it on myself. It freed me from literal my-lips-but-better colors and always selecting black or gray.

Seasonal analysis can seem quaint and old fashioned to those whose only reference is something like this video. But contemporary color analysis enables us to pinpoint exactly which colors flatter us and bring out our best selves. It enables us to select clothing and makeup with confidence, and more practically, it creates a wardrobe where everything coordinates perfectly.

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Know your type in several systems but having trouble putting it all together? My workbook can help.

Zyla Update

I always know when something’s not working when I stop shopping. It’s been especially noticeable this fall, since it’s the time of year when Dark Autumn colors are easy to find, and I think this year has been especially kind to Autumns.

But something wasn’t clicking for me. While there were a lot of things in-store that looked like they should fit the idea of Dark Autumn-Flamboyant Gamine-Gamine Autumn I’d created for myself, I just didn’t feel particularly motivated to buy anything. Something was off.

I love my DA palette. I love being Flamboyant Gamine. It was the Zyla archetype that was off. It was limiting me in ways that gave me the same feeling as trying out Soft Natural and Soft Gamine did. It wasn’t really appealing to my personal aesthetic and it felt too boho.

As it turns out, I think my Zyla designation was only partially correct. I got the season right, but not the archetype.

When I realized I was experiencing Zyla confusion, I first wondered if I could be a Spring in Zyla (but still keeping the same color palette). My DIY palette seemed to be on the brighter side. In real life, I also come across as very young. Maybe I was missing some fun in my wardrobe. Tawny Spring seemed almost right, but a little too rounded for me. And could my colors really be translated into a Spring archetype?

I made collages and a video, and posted them in a Zyla group on Facebook. I’d never done an essence video before, as I don’t think they’re really effective for Kibbe because people tend to concentrate on personality when they see a video. But Zyla does rely more heavily on things like personality and voice quality. I thought people would see me as relatively scattered and ineloquent on video. But to my surprise, people still saw Autumn. More specifically, people saw Mellow Autumn.

Here’s the thing with Zyla, and what makes it so complicated to do by yourself. Each person not only gets a unique palette, but they get unique style recommendations. I’ve seen some Mellow Autumn Pinterests, but nothing connected with me. Then I read the Mellow Autumn recommendations of a woman who also identifies with Flamboyant Gamine in Kibbe, and hers were very edgy, and very in line with the clothes I wear already.

I wouldn’t wear this…
Mellow_no

…But I’d definitely wear this:
mellow_yes

(Source: Zyla’s MA Pinterest board)

I also refined my DIY palette a bit, fixing my color settings in Photoshop so that the colors were truer to the palette and adding some secondary color choices:
diy_zyla_new

I hope that keeping Mellow Autumn in mind–I think of it as sophisticated, yet edgy and avant-garde–can help get me back into the style groove. Maybe I’ll actually buy some clothes soon.

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