Workbook Now Available

I’m happy to announce that I have finished the workbook and it is now available for purchase in the Store. It is a PDF ebook designed as a series of exercises to help you with what this blog is all about: your Syntax and your Style. It will help you take all of your different analyses and palettes and types, and use them to create a singular vision of your physical self. Then you will use this information and make it your own and do the most complex work of all: Using your style to express your inner self. Finally, you will examine your current wardrobe and make a plan for overhauling it to match your new style.

I’ve also created a Facebook group to help you through this process. In the group, you’ll be able to connect with others who are working through the book, discuss issues, or just share the work you’ve been doing. I will also be in the group to answer questions, offer suggestions, and give advice.

I’m really excited about this project because, as I mention above, I feel like it’s exactly what my blog has always been about. How can we use style to create a look that both addresses our physical selves and our limitations while also expressing who we are? This is the key to personal style that both looks and feels great, but it’s a tall order. I hope this workbook will help people accomplish this.

Anyway, it’s up right now in the Store. As always, if you have any questions, you can comment below or email me at hello@stylesyntax.com.

Zyla Update

I always know when something’s not working when I stop shopping. It’s been especially noticeable this fall, since it’s the time of year when Dark Autumn colors are easy to find, and I think this year has been especially kind to Autumns.

But something wasn’t clicking for me. While there were a lot of things in-store that looked like they should fit the idea of Dark Autumn-Flamboyant Gamine-Gamine Autumn I’d created for myself, I just didn’t feel particularly motivated to buy anything. Something was off.

I love my DA palette. I love being Flamboyant Gamine. It was the Zyla archetype that was off. It was limiting me in ways that gave me the same feeling as trying out Soft Natural and Soft Gamine did. It wasn’t really appealing to my personal aesthetic and it felt too boho.

As it turns out, I think my Zyla designation was only partially correct. I got the season right, but not the archetype.

When I realized I was experiencing Zyla confusion, I first wondered if I could be a Spring in Zyla (but still keeping the same color palette). My DIY palette seemed to be on the brighter side. In real life, I also come across as very young. Maybe I was missing some fun in my wardrobe. Tawny Spring seemed almost right, but a little too rounded for me. And could my colors really be translated into a Spring archetype?

I made collages and a video, and posted them in a Zyla group on Facebook. I’d never done an essence video before, as I don’t think they’re really effective for Kibbe because people tend to concentrate on personality when they see a video. But Zyla does rely more heavily on things like personality and voice quality. I thought people would see me as relatively scattered and ineloquent on video. But to my surprise, people still saw Autumn. More specifically, people saw Mellow Autumn.

Here’s the thing with Zyla, and what makes it so complicated to do by yourself. Each person not only gets a unique palette, but they get unique style recommendations. I’ve seen some Mellow Autumn Pinterests, but nothing connected with me. Then I read the Mellow Autumn recommendations of a woman who also identifies with Flamboyant Gamine in Kibbe, and hers were very edgy, and very in line with the clothes I wear already.

I wouldn’t wear this…
Mellow_no

…But I’d definitely wear this:
mellow_yes

(Source: Zyla’s MA Pinterest board)

I also refined my DIY palette a bit, fixing my color settings in Photoshop so that the colors were truer to the palette and adding some secondary color choices:
diy_zyla_new

I hope that keeping Mellow Autumn in mind–I think of it as sophisticated, yet edgy and avant-garde–can help get me back into the style groove. Maybe I’ll actually buy some clothes soon.

Understanding My Place Within the Gamines

On the Kibbe test, my numerical score places me in straight G. I’m more yin than most FGs, and more yang than SG.

But given the peculiarities of the G types, this doesn’t make me a straight Gamine, and it wouldn’t even if Kibbe still assigned people this type. Gamines are yin in size, with yin faces, but straighter, yang bodies. That is not how my mix of yin and yang shows itself in my body and face, and Gamine clothes don’t work for me at all.

This becomes clear if you look at a comparison of the Gamine types, with the things in bold being the characteristics that apply to me.

gamine_chart

While my characteristics seem pretty evenly split between SG and FG, almost nothing from G applies to me. It has been suggested to me that perhaps my combination of yin and yang is just more extreme. But also, if we think about how Gamine types are created, it’s only logical that the transition from FG to SG is not always going to be a linear one that passes through G. Gamine features from all three types can show in one person, since that juxtaposition of yin and yang can show up in a myriad of ways.

Looking at this chart, it also almost seems to favor SG. Why I am FG, then? The fact that I have short legs and and small hands and feet are not as important as the fact that I am broadly angular over round. I have wide shoulders and broad, flat hips. These make the FG recommendations work well for me, and cause the SG ones to not work at all. Not all characteristics are going to carry the same weight; it is not a pure numbers game. The overall impression is what counts.

Also, since I have so little straight G, I have to remember that while some of my FG sisters can carry off pieces from the G recommendations, I can’t. But I’m excited to see how far I can dip into SG.

I think it’s a worthwhile exercise to take a look at the characteristics of your sister type(s), and see exactly how your unique yin/yang balance presents itself. It will help you understand both your own type and how you can push its boundaries.

Do You Need a Professional Analysis?

This is the $10,000 question (sometimes quite literally). Like many people, at the beginning of my color and style journey, I felt that any conclusions I came to on my own were going to be inconclusive. I believed that I couldn’t know my “true” season without being draped, and that only a style expert could classify me into an archetype.

As time has gone by, however, my perspective is now entirely different. While I think there is some truth to this post, I also think there is a point where getting a professional to tell you what you are may not be the best use of your 200, 600, 10,000 dollars. Tina has touched on this on her post about when you don’t need a PCA.

I relate to the reasons Cate Linden outlines in her post as well, perhaps not in the way she intended. You can’t go into a PCA just to confirm what you think you already know. You have to keep an open mind, and prepare yourself for whatever result you get. The same goes for an type analysis.

But what is not always mentioned is that not everyone comes back from seeing an analyst, even the most renowned style gurus, happy or even vaguely satisfied. I think there is a major factor to this that can sometimes be overlooked.

If you are happy on your own, seeking someone else’s opinion might not be the best thing for you.

The more time you’ve spent in self-discovery mode, learning what works for you and what doesn’t, the harder it may be for you to hear someone else’s opinion on what works. It can feel inauthentic and wrong. After all, you know yourself better.

I wouldn’t mind seeing Zyla and getting a palette, for example. But I also know that I am satisfied with what I’ve discovered on my own, and if he saw me a totally different way, I would probably feel like I wasted hundreds of dollars. And then if he gave me something similar to what I feel works for myself, I’d probably still feel like I wasted money somewhat, because I paid to be told what I already knew.

The more you know about yourself and your style, the more you’re setting yourself up for a fall when you consult with an expert who has an image or an archetype in mind for clients who walk through their doors. The most unhappy clients I’ve seen of people like Kibbe or Zyla are ones who already had a very good understanding of their style before they went to see them. Not everyone who has a good general idea will leave unhappy, of course–some get the tweaks necessary to really take their style to the next level.

What I would consider is thinking about what you truly want. Are you seeking confirmation? If you got something completely opposite from what you think you are, would you be okay with it? Would you be able to stomach the financial loss if you don’t like what you’re told and you don’t find it useful? Have you gotten an analysis from another professional that works for you, and do you really need another? And perhaps most importantly–are you just getting an analysis because you want to know your type, since so many other women have gone and gotten it done, without really, truly wanting the type and style advice that comes with it?

For me, I sometimes do think about seeing Zyla. I’d like to be able to post my Zyla palette and become a confirmed member of a tribe, whatever archetype I would end up being. But in the end, I know that my self-determined Kibbe FG DA is really enough for me. Zyla’s autumnal insights may help me understand what Autumn FG may look like, and his approach has helped me come up with a limited palette featuring my very best DA colors. But I feel that the money I could spend on a Zyla consult would be better spent elsewhere. I would be better off spending that money replenishing my wardrobe than being told what archetype I am.

So before you make an appointment and spend the money–I would consider just what this analysis could do for you.

Dark Autumn Blonde, Part Eight: Clearing Up Misconceptions

The names of the seasons can sometimes lead people in the wrong direction. The two seasons where I think this comes into play the most is the two “dark” seasons. It was difficult for me to claim Dark Autumn for myself without a lot of support from the online community–I felt kind of crazy, being as as light-to-look-at as I am and claiming this rich, dark season.

This is what people think Dark Autumn looks like:

вф_судуиы
(Source)

But it can absolutely look like this.

I wouldn’t fit into the first image, and who knows if these women are even Dark Autumns at all. Out of the women and men I’ve seen who have gone to analysts and come back as Dark Autumns, you’ll find everyone from natural blondes to the darkest brunettes.

I do think that with the Light seasons, they do tend to look more like you imagine. The light-to-dark range in these palettes isn’t very dark, and you need to have a person who truly cannot handle a wide range of depth–this is especially true with Light Spring.

дыздыг

(Source)

You can see how wide the range is for Dark Autumn and Dark Winter in comparison:

da_dw

(These palettes are the Invent Your Image palettes.)

I was reminded by this the other day, when Color Harmony posted a blog post breaking down the Dark Autumn palette into groups–groups of color and then light/soft/dark/bright. (Blog post is in Russian, but you can run it through Google Translate.) Many seem to think that the only way the Dark Autumn palette can look in clothes is like this image from Sabira’s blog post, representing the dark colors in DA:

dark_da

But this set is no less Dark Autumn than the one above:

light_da

What Dark Autumn colors seem to have in common to me, and what I can see in myself, despite my apparent lightness, is that it is like all of the colors just have a touch of Burnt Umber in them. The colors can be bright or even light, but there is always that touch of brown. When I got my prescription sunglasses with dark brown lenses this summer, my first thought was, “Whoa, the entire world is Dark Autumn when I look through these.”

The names of the seasons are just that, names, helpful ways to categorize the seasons. Sure, Dark Autumn and Dark Winter go deeper than other seasons. But that doesn’t mean that’s the only trick they have up their sleeves. (For a look at Dark Winter through new eyes, check out Rachel’s blog post on Dark Winter’s brightness.)

Dark Autumn Blonde, Part Seven: Revisiting My “Zyla” Colors

A while back, I created a DIY Zyla palette for myself using the instructions in his book. Instead of using paint chips, I used my Dark Autumn palette, since I was already using that to guide my wardrobe. I found it easy to find my literal body colors on the palette, and my result looks like this, approximately (since the colors don’t render properly on the screen):

Untitled

While I find that the top row is perfect as it is, the bottom row was giving me some trouble. I would never wear the Third Base. The Tranquil didn’t connect with me one way or the other. The Second Base is the only one I really liked.

I asked for feedback on my possible Archetype in the Zyla group. There was a general consensus that my most likely type was Gamine Autumn, with Mellow as the runner up. With the help of some very educated Zyla eyes, I realized that the ring around my iris connected more with dark gray, rather than the petrol blue I had assumed would work. I thought more about the colors in Dark Autumn I’ve been drawn to since I claimed it as my season.

Zyla palettes are rarely literal. Zyla is not looking for exact matches, per se, but evocative colors, I think. So he’ll give people a purple base, even though they don’t really have purple hair or eyes. With that in mind, I thought about how colors function on me, and came up with this.

zyla_palette_new

Essence: 1.1 FN (unchanged)
Romantic: 2.8 A, 2.7 A, 6.2 A
Dramatic: 4.9 A, 4.8 A, 4.7 A, 4.6 A
Energy: 3.9 A, 2.8 A, 3.7 A
Tranquil: 5.3 A, 5.2 A, 5.1 A
First Base: 3.3 FN, 3.2 FN, 3.1 FN
Second Base: 6.10 FN, 6.9 A, 6.7 A
Third Base: 7.8 A, 7.7 A, 7.6 A

(Numbers correspond to the True Colour International Dark Autumn Classic fan)

These are the DA colors that have resonated with me the most, and the ones that have made their way into my wardrobe already. My favorite casual outfit this year has been a cropped sweatshirt in my lightest/brightest tranquil over a tunic tank top in my darkest 1st base with some lighter 1st base shades thrown in with jeans in the middle Second Base color. Yellow and purple may sound a bit garish, but I don’t think it reads that way on me at all–a good case for deep purple being a neutral for me.

I did have to sacrifice the base color I liked, but it can still act as an alternate. In this new version, with the addition of yellow and purple, I can see myself. It feels more like me. If you are going with a limited palette for wardrobe planning, it has to speak to you. If you’re looking to do the same with your own 12-season palette, I recommend starting with what you already own and love, and see if these colors don’t somehow fit into a framework like Zyla’s.

Response to David Kibbe’s Recent Letter + Update on Workbooks, Etc.

Last week, we got the first new writings from David Kibbe since Metamorphosis was published 30 years ago. You can read it here. He discusses the changes that have gone in the fashion world since the book was published, and also tries to correct some misconceptions/misuses of his system. I did find the letter to be interesting food for thought, so I thought I’d respond to some of the things in the letter.

“I found that many of you are looking at yourselves from an OLD IDEA — based on that time and the mind-set of the times ― not my vantage point at all. I found that some of you are trying to squeeze or fit yourself into the Image Identities™I put forth in the book.

That was never my intent.”

It is hard to know what to make of this part. Yes, as he mentioned before this, the way clothing is made has changed, and now a lot of things come with spandex and bodycon is very common. But what is his system beyond the Image Identities? What are we trying to “squeeze ourselves into”? Is he referring to the fact that the recommendations are based on what was available when the book was being written, or are the Image Identities themselves a reflection of the times? He still types people using the same Image Identities as before, obviously, so perhaps what it means is that we have to expand our understanding of what types can wear. But then again, without guidance from the recommendations, how can we understand that what we’re wearing is really true to the type?

I have to say, sticking to the Flamboyant Gamine recommendations nearly 100% has been very successful for me. There are places I’ve discovered where I can bend the rules, and perhaps that’s what we have to do. Start with the recommendations, get a feel for your type, and branch out from there.

“I also discovered that on the sites, for some, it is a very left-brained intellectual process. I discovered that sometimes the groups type each other and some individuals elect themselves as experts in my system. Although it may be well-meaning, it doesn’t help because it shifts the focus from organic to intellectual.

My system is an art – not a science. But like all art, it must have an iron-clad technique at its core which is what I have created and my book was meant to outline.”

I feel I have definitely been guilty of this. This is simply how I understand the world. I work with an impression I receive from my intuition, or look at a system like Kibbe that seems a bit mysterious in how it works, and then I try to break it down and understand it in a systematic way.

But I do try to go with my first impressions, to see if a certain type makes sense for a person overall. And have I elected myself an expert? Yes, I have a blog–but when I do give people my impression of their type, whether here or on Facebook, I hope that they understand that I am not coming at this from the point of view of a self-appointed expert, just someone who enjoys studying these systems.

I do wonder if perhaps he was instead referring to people who do take on clients and charge money for their typing services, ones where the emphasis is on physical features or lines instead of the overall impression a person gives. But by then, I suppose, you have already gone in an entirely different direction that Kibbe.

“The multiple choice test was never meant to be the only thing to determine your Image Identity™. Used by itself, it will always come up wrong. Only use the test combined with the lists and descriptions. Add to that your deepest instinct about who you are. Think of yourself at the age of 7- or before the world did its thing to you. Remember how you felt about yourself and what already made your heart sing! Remember above all, this as an organic process – not an intellectual one. Listen and hear yourself.”

This I have always found to be true. I do not really come up as FG on the test. I am somewhat more evenly divided between yin and yang according to the test–but answers aren’t weighted differently according to importance. My impression is still more yang than yin.

The idea of your “deepest instinct about who you are” though, I think is a major one. I can say that I have always somehow known that I am FG, although of course FG is simply an idea created by one guy. I have always been drawn to other gamines, and couldn’t relate to actresses of other types nearly as well. Even as a small child, I somehow knew that I wouldn’t grow up to statuesque or voluptuous. I was never going to be a Jessica Rabbit type. Audrey Hepburn always resonated with me far more than Marilyn Monroe.

“Hollywood Stars. Many of you that I’ve worked with personally, keep asking me to “slot” them in my Image Identity™ system according to the movie stars of today. I always gently decline. The reason? The celebrities of today are not necessarily STARS. The Hollywood Stars of yesteryear had a whole studio to evaluate and execute a one-of-a-kind expression of that individual. Therefore Marilyn Monroe, Audrey Hepburn, and Greta Garbo were born. Now with the homogenization of Hollywood, the fashion world, and the preponderance of plastic surgery, the individual person underneath is often not recognizable.”

Yes. I do this for fun on Pinterest, but the days of studios creating a true image for a star are long gone. Now it seems that you can barely tell one apart from another. Relying on celebrities to type yourself is also a fool’s errand. Just because you vaguely have a resemblance to someone does not mean you will be the same type as them. I think it’s when you don’t actually look like someone, but someone still senses something you have in common with that person, is when a celebrity comparison is significant. I have been compared to Jean Seberg, even when I had long hair, but I actually look nothing like her.

I had planned to really do a thorough study of facial features and body features for each type. But as I’ve spent more time working on Kibbe-related things, I’ve realized that this isn’t really the direction I want to go. I have seen people get lost in the most minor of details, like what feet look like in a certain type, thus sending them off on a wild goose chase to types that have nothing to do with who they are and how they present themselves to world.

So I will work on looking at the essences of types–yes, I realize I have only done Dramatic so far–and maybe stop there. I am working on a typing workbook for style and season (in addition to finishing up edits on my style customization workbook) and while I first wanted to put together a bunch of clothing suggestions to try and see if you need a long line or whatever, I now feel like that is now how I want to spend my time. If you’d like a book like there, you can pick up The Triumph of Individual Style. What I want to do with the workbook is lead you on an exploration of who you are. Belle Northrup believed in dressing the whole person, inside and out, and that is what I want to focus on, not which sleeve length is best.

What was your reaction to Kibbe’s letter? What has been your experience trying to understand his system in a more “right-brained” way?

Note for People Who Have Ordered Services

There are a bunch of people who paid for services but never responded to emails I’ve sent. So if you were supposed to get a Subscription for August, or paid for something else and didn’t receive a response, please check the email associated with your PayPal account! I definitely want to deliver what you paid for. 🙂 If there are any issues, please email me at hello@stylesyntax.com.

Height in Kibbe

3/15/2020: I have written an updated version of this post.

How much we should stick to the height requirements when trying to find our Kibbe Image Identity by ourselves is a hotly debated topic in the Kibbe community. How much we should stick to the requirements when there are verified celebrities who fall outside of the range? Some take the approach of basically ignoring height completely. While I don’t think it should be completely rigid, I don’t really agree with this approach.

Height indicates scale. Types for taller heights wear larger things, and vice versa. So as a rule of thumb, chances are very high that you’ll end up in a type indicated for your height. I’d like to address a few questions about height that come up frequently, and answer them as I understand them.

1. [Celebrity] was put in [type] by Kibbe, and she [taller/shorter].
First off, I think we have to remember that when Kibbe wrote the book, he wasn’t thinking that in 30 years time, hundreds of women would be sitting around making spreadsheets about the height and bra size of every single celebrity. That kind of information wasn’t available back then on the level it is now. The celebrities he chose are meant to evoke a certain mental image and to give you an idea of what the type is like, not serve as the parameters of a type.

I think that he did knowingly do things like put celebrities over 5’5″ in FG. As a model, it was obvious that Twiggy was on the taller side. But she was so FG otherwise that it didn’t matter. And we do have real-life examples of FGs going up to 5’8″. (But I don’t think you could really get taller than that and not have your height be the most striking element of your appearance.) We also have the modern example of Christina Hendricks being Romantic. Christina is 5’7″, but she is absolutely “curves first.”


(Sources: 1, 2)

Basically, I think that if you are going to fall into a type where your height doesn’t fit, you need a really solid case otherwise. You need to be renowned for your angularity and mixed facial features to be a tall FG, or be famously curvy and clearly lacking SD’s D base to be a tall R.

2. I live in [country], where average height is [taller/shorter] than the US.
If we start making different charts for every country or group of people in the world, we’ll give ourselves a giant headache! But it’s not just laziness on my part. This is an easy one. If you live in a country with a lot of taller people, you’ll find more of the taller types. And vice versa. A Soft Gamine in New York City will be a Soft Gamine in Timbuktu. At 5’4″, there are countries where I would be maybe considered almost tall. But it doesn’t change the compact impression I give off.

3. People have gotten taller since the 80s.
This is probably true. But again, I would say that this means that, with more women who are taller with broader bone structures and larger feet, the taller types are simply becoming more common. It’s not that short people don’t exist anymore, even if it is harder now to find our tiny shoes!

So what should you do when it comes to height? I would look at the types that your height qualifies for first. If they all seem off, then I would begin to seriously consider the others. Are you a Twiggy or an Audrey who needs broken lines despite being tall? Are you a taller woman for whom SD just isn’t yin enough?

The requirements in the book represent the general tendencies you’ll see within a type. You can differ from the book description… as long as it doesn’t upset your yin/yang balance. For instance, I have a small waist, hands, and feet. My waist doesn’t need to be shown at all, and in fact, true waist emphasis isn’t flattering on me at all. My hands and feet don’t look delicate. They just look compact. So none of these things are enough to pull me out of FG. Height is the same. If your height truly doesn’t affect how the recommendations work on you, then you may be able to fit into a type outside of your height range. (But I think this happens less often than we think.)

I leave you with Mae West, a 5’0″ woman that Kibbe as mentioned as being SD. Bigger for her was certainly better, even if she was about half a foot shorter than the average SD. But she was truly an exception—which is why she made such a strong impression that we’re still talking about her, and a “Mae West type” is still a term that has meaning.

mae-west-hat
(Source)

Kibbe Vs. Zyla

One of the most confusing experiences someone in this world can have is going to see Kibbe and Zyla and getting completely opposing Image Identities/Archetypes. They’re both masters at what they do. How could one of them be wrong?

I think the answer is that neither of them, in this case, would be wrong. They just approach their work from different angles.

Kibbe, in my opinion, looks at what you are. He looks at your physicality and what it communicates. Then it is your job to take this understanding of your physical self, and use it communicate everything else that makes you who you are.

Zyla, on the other hand, looks at who you are. The personality and inner self is built into the archetype. You’ll find a wider range in terms of height, build, etc. within the celebrities in his archetypes. The guidelines he gives in the book are incredibly specific and meant to express a specific style, not just lines.

I think you can get a hint of how Zyla works when you look at his palettes. They are smaller than other palettes, only a select few colors. And they’re not meant to reflect the entire range of colors a person can wear. They are the colors that, on you, will express certain things.

Kibbe’s recommendations are not meant to express a specific style or a complete expression of you. They’re meant to give you a framework that will enable you to work it out by yourself.

So what do you do when your Kibbe type and Zyla type don’t match? I think it’s important to keep your ultimate goal in mind. We got into these systems because we wanted to be stylish and to know that we’re making the right fashion choices, and to have that process made just a little bit easier for us. It should never be dressing a certain way because a guru told you so. So you can just choose the one that feels best for you, or use one to influence how you use the other, or simply forget both and forge your own path. In the end, a style system is only useful if it’s working for you.

1 15 16 17 18 19 26