December 2019 archive

Options for When You Don’t Like Your Season

Many people seem to default to a 12-season system for color, regardless of what else they follow. I have long had my doubts about it, however. I see a lot of people being draped as wildly different seasons, even within the same system, or just feeling boxed in by their season, and like it is a little limited or boring. Yet it still seems to be the most popular option, with people exploring many options for style, and yet sticking to the 12-season philosophy for color. But if you’re feeling dissatisfied with it and you’re not sure what your other options are, these are the ones I would recommend. My recommendations should come as no surprise to people who read this blog regularly, but they are the ones I see people being happy with once they look outside of the 12-season philosophy.

1. Four seasons

This one is pretty obvious. If you know your fit in 12 seasons, you can look to the parent season and expand your options. It’s also much simpler to only look for two qualities of color, rather than three.

Pros: It’s simpler and has a fair amount of information and systems to choose from. You will be less limited than you are with 12 seasons.
Cons: Not every color in your palette will be your “best.” If you don’t really like your season to begin with, going to a broader version of it may not help. And if your 12-season analysis was incorrect, you will have to go through the whole process again.

2. David Zyla

I know many people who are very, very happy with their David Zyla palette. It’s more limited, but because the colors are so specific to you, it often doesn’t feel that way in practice. He can also put together palettes that are more diverse than a seasonal palette, yet feel cohesive and focused. If you know your season works, but it feels limiting, or not like “you,” this can be a great option. (My Zyla tip, from people I know who have seen him: Go to see him with a look that is as “you” as possible. If you wear makeup every day, don’t go in as a bare-faced blank canvas. Showing him who you are will help you get the most “you” result possible.)

Pros: It’s custom and personalized and reflects who you are. It can go places that you wouldn’t find in a pre-made season.
Cons: It’s not cheap, and it’s hard to DIY. If you don’t like the end result, you are out a fair amount of money.

3. Dressing Your Truth

As readers of this blog know, this is the option I have gone with, because it gives me things no other system would. This is a good option if you want a color system that is fairly simple and if you feel like where you end up from your coloring doesn’t really fit who you are, which was my experience.

Pros: There are a lot of resources and it’s less complex than some others. You can easily identify where a garment would go. It can give you colors that you wouldn’t get in any other system, since it doesn’t use your coloring to get to your energy type.
Cons: Some people feel like it’s too simple and can be limiting, since only one type gets gray, only one gets black, you get either gold or silver and not both, etc. (This has been difficult for me, since gold is more fashionable now than silver at the moment.) And if you don’t like the colors of your energy type, there’s not much you can do except not dress your truth.

These are the systems that I see people have the most success with, once they decide to abandon 12-season systems. I know there are others out there, but these are the only ones I personally recommend at this point in time.

Do you still use a 12-season system? Have you tried out other things? Let me know in the comments.

Why Style and Color Matter

As a follow up to my last post, I thought I’d share a little bit of my own story and how it has affected my color and style philosophy. As I mentioned, it has changed over the years to reflect feeling authentic, versus following what is supposed to be objectively best for you. And this is why.

Two and a half years ago, I changed my life completely. I moved across the world with no real plan. I spent a year figuring it out, and in that time, I also realized that what I had thought I had been—a Dark Autumn 3/4–was wrong. I felt resigned to my clothing choices, and I longed for things like neon colors and black. I rarely felt like I was presenting my true self. I thought that this discomfort was due to not living my truth, and that I needed to extrovert more.

I now realize that if I were actually a 3/4, going through life head first would just be my natural state of being. I wouldn’t have to force it. And my clothes would support me in that, rather than just feeling like something I had been sentenced to.

Realizing that I’m a 4/3, abandoning Autumn altogether, and allowing myself the clothes that make me happy has changed my life. I have a clear vision of where I want to go with my career and the rest of my life… and I know what the outfits will look like, and how I can dress for any occasion and still feel like myself. I know how to take care of my strong, “slice-and-dice” energy that still needs to go within first. Being able to take care of myself means that I have been able to be successful in the things that are important to me, and going by season was actually a roadblock to me doing so.

Sometimes your result from a “scientific” process just isn’t the best for you. In my draping photos, for instance, optic white is awful. But then in candid photos, with all the T4 elements in place, I don’t see those same effects. I see me, as I want to be, and those effects just aren’t there. I think we all need to consider any kind of analysis, even DIY, very carefully, and whether a) it works as a part of a whole, and b) whether it feels right to us.

Have you also abandoned seasonal color, or do you still feel like it works for you?

What Are We Looking for?

This is something that has been on my mind lately, especially as I have been looking back at older posts. Why do some of us land on color and style analysis as an answer? And what question is it answering?

For me, I have always been interested in the idea that the perfect palette of colors for you exists, and that you could also fit some kind of archetype. And when I began looking at it seriously, it was because I was in my late 20s and working in my field, and I wanted to look less like a punk and more like someone that people would take seriously. I wanted to find my adult, sophisticated style.

But some people just want to find clothes that make them look better, or their best colors above all others. I think I have found the kinds of clothes that work best for me, and I have also learned where I can experiment and try something I might have felt like would be all wrong for me, if I didn’t have the knowledge I’ve gained from color and style analysis.

But on some points, my views have changed. I no longer believe in absolute truth on the color front, but an idea of what you want to look like; I know some people who tend to get a very narrow range of colors regardless of who they go to, but most people seem to get varying answers, depending on the analyst. That’s why I’ve gone with Type Four colors, because I feel the best in them and they make me the most happy when I look at my closet. I don’t think there is a color analyst around who would put me in those colors, but in the end, I’m the one getting dressed every day.

And that brings me to the main conclusion I’ve come to, which is that the purpose color and style analysis serves in my life is to help me be more myself, and to present myself to the world in that way. I always want to feel authentic in what I’m wearing, regardless of the occasion.

That’s why the next edition of the workbook is going to focus on that: creating a wardrobe that makes you happy and feels like you. To me, that is the end goal, not some kind of Ultimate Truth. What about you? What motivated you to seek out color and style analysis, and has that goal changed?