Posts Tagged ‘soft dramatic’

Type, Essence, and Style

One of the things I love about our style and color community on Facebook is that even when my ideas are challenged and I disagree with someone, it usually leads to a better and deeper understanding of the Kibbe system. Recent discussions have led me to crystallize what I see as important parts of the Kibbe system.

The way I see it now (and I emphasize “I”; I know some will disagree with me), your Kibbe and the way it works on you specifically is made up of three parts: line, essence, and style. I know that I have come across as anti-essence before, but I think I really just didn’t understand what essence was, even though in the post I linked to, you can kind of see how I’m dancing around it.

Line is your body lines and facial features. Look at the examples in the book and try to see what the women he placed in one type have in common. Is the vertical line long or short? What is the shape of their torso? And so on. This is how type is decided. What recommendations will suit you is determined by what belongs on your face and your body.

Essence is the impression that these lines create. It is what creates the personality stereotype Kibbe discusses in the description, which may or may not apply to you. What essence does is create something akin to a seasonal color palette. It is easy to understand that what looks high contrast on a Soft Summer person would look low contrast on a Bright Winter person. Image Identities work the same way. What looks normal and casual on a Natural type would look sloppy on a Classic type. What looks normal and casual on a Romantic type would look formal and fussy on a Natural type.

Style is taking your personality, preferences, and the look you want to achieve, and understanding how to express it within the parameters of your Kibbe Image Identity. So let’s say that you, like a commenter on my last post, are an SD who wants to be comfortable and a bit boho, and you don’t want to wear heels all the time. You would feel more comfortable in FN, but understand that you are an SD and look fabulous in it. So what do you do?


Here’s what I would do. What’s SD’s version of a jeans-and-a-t-shirt look? Probably one of your draped tunics, in a comfortable fabric like jersey (ignore the necklace in the example in the Polyvore set). I’d do it in your dark neutral for maximum drama. Then I’d continue the line with leggings (or another comfy SD pant of your choosing) in the same color or a similar one. I’d take the ultimate lazy shoe, the flip flop, and find one in patent level with a snakeskin print, bringing it to the SD level of chic drama. I’d take Natural’s perfect gem, turquoise, and find a statement bib necklace with turquoise-colored stones cut to be faceted. I would then take one of SD’s favorite motifs, snake jewelry, and find that in turquoise as well. Lastly, I would wear your version of a red lip, because if you don’t want to bother with a full SD makeup look, a good bold lip, some mascara, and as much brow drama as you can wear and still look normal should be enough.

This is just as comfortable as a Natural look, and has some Natural elements, but it is done through the parameters of the SD style “palette.” I even think an FN could wear that necklace. But they wouldn’t wear it to the park or the grocery store, like an SD. They’d wear it to a nice dinner or a formal event. The FN style parameters are different, and if a certain piece works, it’ll still look totally different on them.

One last example. Many were surprised when Audrey Hepburn was revealed to be Flamboyant Gamine. Visually, to me she fits perfectly, even if she is a bit taller than average. But she is seen as one of the icons of classic, chic dressing of the 20th century. How could she be a zany FG, the Image Identity often associated with punks?

Let’s look at one of her looks from the movie Sabrina. Givenchy did an amazing job of creating Flamboyant Gamine looks that are chic and sophisticated and classic, yet still FG (even if Edith Head took all the credit).

Here she is when she makes her big debut upon returning from Paris. Spoiler alert: William Holden falls in love with her immediately when he sees her.



Does she look impossibly chic? Absolutely. But try to imagine Grace Kelly in a turban, big hoop earrings, huge eyebrows… It would look ridiculous on a classic person.



You can express any kind of style you want using Kibbe. You just have to do it in a way that is in harmony with the eseence of your Image Identity. What reads as classic on FG Audrey is entirely different than what reads as classic on actual Classic Grace, and her classic would look stuffy on Audrey. But the actual effect of these two women’s versions of classic is basically the same.

In the book, Kibbe says we can express the infinite (our selves, our personalities) through the finite (our type). That is where essence comes in. It defines the boundaries of what will make sense on you, and how styles will be perceived. It defines your type’s palette. I don’t think it is the gestures we make, or the way we speak. There is always a wide variety in any type–Shirley MacLaine and Cindy Crawford are very different women, but they are both just as FN. Essence is simply the style version of the hue/value/saturation levels in our palettes.

How do you manage to express yourself within your Kibbe Image Identity?

My Kibbe Journey: Part 3.5

This is a follow up to my most recent post, because I feel like some interesting things were going on in the comments that I felt deserved post of their own.

I feel like I’m having a new Kibbe realization once every 48 hours. This is, I suppose, working with my own interpretation of Kibbe, because he is very right-brained/intuitive about it, and I want to plot everything on a graph. But that’s okay, because this is my blog and this is helping me to work stuff out. You don’t have to look at Kibbe the way I do if it’s not helpful for you.

Yesterday, I was reading about Twiggy and Audrey Hepburn, and how Twiggy is an FG with D influence and Audrey was an FG with Classic influence. Now, this does not mean that you don’t still fit into FG. You are still just the one category. But it can be helpful for those of us who are not Liza Minelli or Vivien Leigh or anyone else who is the prototypical celebrity for any given type.

Now, it’s pretty obvious I have some extra yin–I have yin flesh and I’m not boyishly straight, like you’d think of an FG as being. The only type in Kibbe where you have yin flesh and a yang face is actually SD.

Put me next to an SD, and it’s obvious that it’s not me. But if you look at a picture of Sophia Loren, I have what is basically a compact version of her body: very tapered ribcage and square hips matched by relatively broad shoulders:

Sophia Loren

If you look at the chart of the logical progression of Kibbe types from yang to yin, contrast to blend, FG and SD are actually right next to each other. So instead of my extra yin coming from Soft Gamine, perhaps my extra yin is coming from a Soft Dramatic influence. Soft Dramatic is way too big on me, but perhaps I can add touches here and there. I would place myself where the red dot is:


I’ve long loved this Polyvore set by papillonnoir1:
2 winter kibbe gamines

The FG outfit is very much my style, and the skirt is drapey and asymmetrical in a way that seems to border on SD to me. Of course, I think SG peplums are also an option for me, but they seem to have disappeared from stores. So I think that keeping to FG’s rule of the first layer being narrow and cut close to the body, I am going to experiment with a little touches of SD draping as a way to highlight curves as an alternative to SG ways of highlighting curves.